Category: Featured

Featured / August 22, 2023

MUSIC WEEK: MNEK AND WCM’S PAUL SMITH ON CREATING SAFE SPACES THROUGH SONGWRITING CAMP PROUD SOUND

Featured / August 18, 2023

BILLBOARD: HOW THE BARBIE SOUNDTRACK MATCHED THE HYPE (AND SUCCESS) OF THE FILM

Featured / August 17, 2023

FORBES: WARNER MUSIC NASHVILLE STRIVES TO GIVE ARTISTS MORE CREATIVE INPUT – AND IT’S PAYING OFF

Featured / August 3, 2023

BILLBOARD: HOW VINYL HELPED LAUNCH ‘BARBIE THE ALBUM’ TO A MASSIVE OPENING WEEK

Featured / August 2, 2023

THE VERGE: WMG’S ALLAN COYE ON THE MUSIC INDUSTRY’S EMBRACE OF PODCASTS

Featured / August 2, 2023

MUSIC WEEK: WARNER CHAPPELL RANKS AS NO. 1 MUSIC PUBLISHER IN GERMANY AT MIDWAY POINT OF 2023

Featured / July 24, 2023

BILLBOARD: INSIDE THE METEORIC RISE OF MYKE TOWERS’ GLOBAL CHART SMASH ‘LALA’

Featured / July 23, 2023

WMG NAMED TO NEWSWEEK’S AMERICA’S GREATEST WORKPLACES LIST

Newsweek and market-data research firm Plant-A Insights Group recognized the top 1,000. . .

Featured / July 18, 2023

HEADLINER MAGAZINE: INSIDE ED SHEERAN’S TINGLY TED’S CAMPAIGN AND THE ART OF GREAT ARTIST & BRAND PARTNERSHIPS

Featured / July 18, 2023

AP NEWS: HOW THE ‘BARBIE’ SOUNDTRACK CAME TOGETHER, ACCORDING TO MASTERMIND MARK RONSON